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Linolie til overfladebehandling af udvendigt træværk
With linseed oil products it is possible to obtain a good protection of wood as well as a
durable result, but things may also go awfully wrong. This is the conclusion of a research
of a number of linseed oil treatments, carried out 5 to 10 years ago.
The research revealed a big difference in durability of the treatments as well as in
their ability to protect the wood. Some places both treatment and wood were quite
destroyed whereas other places showed a fully intact treatment and a woodwork in good
condition. Moreover, there were also cases where the top coat was crackled and had other
imperfections, but the wood was still well protected.
Exterior woodwork must be treated on the surface to prevent decomposition of the wood
as a result of the action of light and humidity. The treatment is not without problems,
though. Much simplified the known remedies are either not efficient enough or they are
poisonous or in other ways a strain on the environment: The production of the remedies may
involve extensive use of energy or they might be produced from non-renewable raw
materials. Wood preservatives thereby become one of the big environmental problems in
building.
Wood preservatives cause problems throughout the life cycle: in the production, in the
application, and in the disposal of it problems to surroundings as well as work
environment. The poor durability and the frequent maintenance of outdoor woodwork incite
the use of other materials, such as plast or aluminium with high demands of energy in its
production together with other environmentally harmful effects.
Till around the end of the 1970s wood preservatives were based on different oils and
diluted with turpentine or other organic solvents. The bad work environment led to the
development of emulsion paints and wood preservatives based on water which was good for
the painters but hardly so for the wood; the first generations of these new paints had
very poor protective properties.
These experiences along with a growing concern about the environment led to a
renaissance of linseed oil which has been the traditional product of wood preparation for
centuries. Linseed oil became a popular commodity - the market received it well. However,
the products used today are not the same as the "historical products". Among
other things the old linseed paints contained large quantities of lead which is a most
efficient fungicide. In reality, no or only limited documentation for treatments with
modern linseed oil products existed. In turn many myths have prevailed about linseed oil
and its properties.
Therefore, there was a need for research where the current knowledge of linseed oil
could be summed up and its suitability as wood protection was more closely examined in
practice.
The research is supplemented with a lexical section that explains the key words and
concepts not commonly known.
This project is a continuation of experiments with window renovation and linseed oil
treatment executed in connection with the Øksnehallen Project (Lading og Brandt:
"Vinduesistandsættelse og linoliebehandling", By- og Boligministeriet 2000 -
not translated).
The main purpose of the research was to receive an impression of how the products work
in practice. This was to be done by evaluating the condition of building parts that had
been treated with linseed oil and been exposed to wind and weather for some years. To be
able to draw conclusions from the condition assessments the following demands were made of
the treatments:. They should be
 | 5-10 years old and not maintained |
 | treated with only linseed oil products, not emulsion and alkyd paints etc. |
and
 | it should be known which products were employed |
 | it should be known how the work had been carried out |
However, it turned out to be difficult to find suitable objects of examination. Partly,
it is limited how many new treatments have been executed before 1995. And partly, many of
them are not very well substantiated or they have been exposed to mixed treatments (where
e.g. alkyd paint has also been employed). Another characteristic is that linseed oil is
employed especially in the restoration of historical buildings or by private
"do-it-yourself-people". This is also reflected in the examined treatments found
on 6 mansions and listed buildings, 1 terraced house, and 6 cottages at the Open Air
Museum plus one apartment block that was the only example of an "ordinary
building".
Some manufacturers have in recent years developed linseed oil paint that can be sprayed
on and which is primarily used for factory treatment of new windows. These products have
not been on the market long enough to be part of the research.
Also, it must be noted that in a lot of the cases the products employed no longer exist
on the market. Some manufacturers have closed down, others have changed their special
mixture of ingredients.
All of the examined products have been treated with linseed oil applied by brush and
all executed on existing woodwork of which some have been mended with new wood.
As mentioned some of the examined treatments proved to be extraordinarily durable
others absolutely not. In some cases the wood were in good condition even though
the paint film did not look very well. In turn, no examples showed wood in a poor
condition under an almost intact coating something one may meet with in cases of
e.g. latex paint.
On the whole, too many imperfections were found even though the research includes only
a relatively moderate number of treatments. The imperfections were found in both
workmanship and products.
In all examined examples (except from a barn in Vemmetofte) professional technical
consultants took part in the construction work also consultants specialised in
restoration. Still, there turned out to be big differences. This was mainly due to three
things: the quality of the wood, the products, and the application.
The experiences from this project and from the Øksnehallen Project show the decisive
importance of the following factors for a good result:
 | the wood must be sound and dry |
 | the application must be correct |
 | the weather must be good during the application (dry and a suitable
temperature) |
 | the product must be of good quality |
 | it is the priming (the saturation of oil of the wood) that must protect the wood against
humidity and thereby rot and dry rot |
 | the paint protects against decomposition caused by UV-radiation. (light). |
It is obviously difficult for both consumers and professionals to get the right
information and to choose the right products. Differences in quality often do not become
evident until after several years, and the purchase of linseed oil products is a matter of
trust. In the project groups opinion good products can be found on the market but
not an optimal system. (Painting articles normally exist available in the shape of systems,
which include products for priming, intermediate coating and topcoating. Typically the
products in the system will come from the same supplier, and as a premise of product
guarantee a treatment must not draw on products from different systems.)
Choosing products from different suppliers (e.g. priming from one supplier and topcoat
from another) will cause problems in the product guarantee, and furthermore there is a
risk that the products will not be able to function together. Such a solution therefore
cannot be employed for professional use. Furthermore, there is also a shortage of certain
product types on the market. (The report further sets out which products this implies.)
There are several reasons for linseed oil treatment not having been used on a large
scale outside restoration building and private building. Linseed oil treatment does not
fit very well into the logistics on a modern building site. Partly due to the long drying
hours and the fact that not all wood absorbs equally and therefore some wood needs more
treatment than others.
To sum up: the conclusion is that linseed oil may protect wood for a long time but
 | technical consultants, contractors, and builders must know what they are dealing with |
 | there is a lack of documentation and product development |
 | it is no miraculous cure |
10.4.1.1 Product imperfections
There is a difference in the quality of linseed oil products, which is partly due to
the fact that there is generally too little knowledge of the factors influencing the
properties of linseed oil. But a number of product imperfections also suggest that not
everybody in the trade has the necessary professional background and expertise:
 | missing production tests |
- usually paint and varnish producers save tests of the production so that it is
possible later to examine the tests as a way of getting through to some of the causes of
the apparent imperfections - however, some in the linseed oil business are not in line
with that.
 | ack of knowledge of basic chemistry |
- when introducing e.g. products containing boron (boron is a fungicide) as totally
harmless and almost eatable in spite of the fact that boron is suspected, among other
things, of giving embryonic damages, and that it is on the list of substances that should
be phased out;
- when marketing a thinner for linseed oil paint that takes longer to evaporate than
the linseed oil takes to dry
 | contents of unhealthy substances |
- especially organic solvents such as turpentine which some products contain to a
greater or smaller extent and which is usually not necessary
 | missing documentation on products that are sold in connection with linseed oil |
- like e.g. citrus seed oil, by some manufacturers introduced as a natural and
harmless fungicide with no documentation of the correctness of this and without
information of possible unhealthy effects.
 | missing quality control and homogeneity in the production |
- products from the same manufacturer, that ought to be alike, may vary in
properties and quality from product to product
 | too much or wrong filler |
- filler is added partly to make the paint fuller (which means that the viscosity
is enhanced to make the application easier), and partly to make it cheaper but
otherwise it has no function; in the previously mentioned example of adding thinner - this
need for thinner was due to adding too much filler!
- chalk is often used as filler but along with the subversion of the linseed oil it will
become visible as chalking; the surface becomes lustreless and gradually gets a white
foggy surface; at the same time it becomes more susceptible to humidity this is
especially distinct upon dark painting surfaces
It should be stressed that also a lot of good products are found on the market. The
problem is the difficulties of finding out which products are good and which are not. One
can ask for technical data but there is a great difference in the level of information
since no standards exist for what they should contain. One can check if a so-called CE/EN
927 test has been carried out (where a skirting board with paint is exposed outdoor for a
year).
10.4.1.2 Application
The factor which in all probability has most influence on the protection of the wood is
the priming. It is the priming that protects against humidity while the function of the
topcoat is primarily to protect against decomposition by light (UV-radiation).
The priming must saturate the upper layers of the pores of the wood with oil so that
there is no "room" for humidity. When treated it is therefore important that the
wood is dry (max. humidity 12-15%).
Linseed oil paint must be applied in thin layers and one layer must be throughly dry
before the next one is applied. In cold weather (below 5-10° C) it is difficult to apply
thin layers and the drying becomes slower. The same thing happens in damp weather. The
paint is not fast until dry, and destruction of the paint will therefore happen faster.
It can be difficult for unskilled users (anyone not experienced with linseed oil) to
obtain a satisfying result. It is a matter of experience when the priming is adequate, the
paint must be coated in a very thin layer and the necessary (long) drying can be a
problem.
Fungicide
Two types of fungicide exist: against dry rot and against mould and mildew. The first
one is listed by the Ministry of the Environment and biocides are added. The other one is
added to most types of painting articles for outdoor use. If a product just says
"containing fungicide", it will be against mould and mildew, and usually it will
be to prevent the product from being damaged before use.
There is no linseed oil products with fungicide against dry rot on the Danish market.
Priming products with fungicide against dry rot, which probably also contain some linseed
oil, do however exist. It has not been possible in all the examined cases to find out
whether the woodwork apart from having been treated with linseed oil products also have
been treated with a priming oil against dry rot.
Woodwork treated with fungicide against dry rot is probably, other things being equal,
in a better position for resisting a wrong application than wood not treated with
fungicide. Conversely, a correctly performed treatment, were the priming has been properly
carried out, will probably be able to give sufficient protection. Humidity will not be at
such a high level that mould and dry rot will develop. Though, it is important that the
treatment (the priming) is maintained. The linseed oil paint (topcoat) must be added
fungicide against mould and mildew to prevent growth of fungi.
No "harmless" fungicides exist: they cannot be efficient without also having
undesirable effects - that is, chemical as well as "natural" products.
Generally, one ought to prefer those products where desirable as well as undesirable
effects are known.
There is a potential in limiting the use of fungicide to those places were it is
necessary instead of treating all woodwork (as done with vacuum impregnation). Normally,
it is easy to predict were the risk of rot will be e.g. 95% of the rot attacks in
windows are found in the bottom part of sashes and frames.
Logistics
Linseed oil treatment does not fit in very well in the logistics at a modern rational
building site especially not if other work is to be carried out at the same time.
Long drying hours, sensitivity towards dust and mechanical influence
("friction") are some of the factors that make it difficult.
The most durable of the examined treatments had been performed most carefully: after
the priming the windows were treated with 5 coatings of linseed oil paint applied with an
interval of one week that is, a total duration of treatment of min. 6 weeks. Such a
long duration of treatment will be hard to carry through in ordinary building, e.g. within
urban renewal.
Preferably, linseed oil painting should be performed in a workshop. If the treatment is
to be performed on the spot, it should rather not be performed simultaneously with other
work. Scaffolds mean a rise in price because of the long drying hours.
Application criteria
Linseed oil paint does not live up to the same application criteria as modern paints.
It yellows, chalks, wrinkles up, attracts more dirt, etc.
It is debatable whether it important, but not all builders are prepared for this.
Linseed oil systems
Probably, it would be possible to make use of the good properties of linseed oil and
still take into consideration logistics and application criteria if linseed oil was used
as priming and a 'modern' paint (e.g. aqueous alkyd) as topcoat. However, it is necessary
to use paint in systems to secure a product guarantee. The manufacturer will inform
you of which priming and top coatings should be used together.
On the "want list" for a good linseed oil system is the following:
 | an all round primer based on heat treated linseed oil |
 | a primer with fungicide against dry rot for treatment of particularly exposed places |
 | a 'modern' topcoat paint that can stick to the current different types of paint, and
that dries fast |
These products either do not exist at all or they do not exist within the same system.
New windows
New factory made windows treated with linseed oil exist on the market but they are not
exposed to DVC-label. They are more expensive than similar windows, but this may be
compensated for by its durability which eventually will result in a better over all
economy but as far as it is known, no actual documentation for durability exists.
Therefore, the "want list" for new linseed oil treated windows include:
 | a testing (accelerated tests of ageing) of new industrially treated windows |
 | a calculation of the over all economy compared to traditional DVC-labelled windows |
 | a system of labelling equivalent to DVC |
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